It’s The End of the World as We Know It (And I Feel Fine)

How do you photograph the end of a world?

Made around Donald Trump’s second inauguration, this series approaches the event as a shift in the visual and emotional language of public life, looking beyond the recording of political facts.

Combining documentary observation, portraiture and radical transformations of colour, the work traces a moment in which familiar symbols begin to lose their stability.

Dissonance, repetition and rupture frame the inauguration as a threshold where political spectacle, collective emotions and photographic representation begin to merge.